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1 – 5 of 5Paul D. Broude and Joseph E. Levangie
Most entrepreneurs are continually concerned about their finances. Their companies perhaps not yet profitable, they may have a fear of “running out of dry powder.” These…
Abstract
Most entrepreneurs are continually concerned about their finances. Their companies perhaps not yet profitable, they may have a fear of “running out of dry powder.” These entrepreneurs often have fallen in love with their company's technologies, products, and potential markets, but they require more resources. Invariably these emerging ventures shroud their fear of the grueling capital raising marathon by presenting voluminous business plans to potential investors. They often flaunt their “optimized business models.”” Investors, however, typically want to know why the potential investment is such a good deal. The entrepreneur often wants guidance regarding what to say to whom in a changing financing environment.
In this article, our “Practitioner's Corner” associate editor Joe Levangie collaborates with a long-time colleague Paul Broude to address how businesses should “make their capital-raising initiatives happen.” Levangie, a venture advisor and entrepreneur, first worked with Broude, a business and securities attorney, in 1985 when they went to London to pursue financing for an American startup. They successfully survived all-night drafting sessions, late-night clubbing by the company founder, and even skeet shooting and barbequing at the investment banker's country house to achieve the first “Greenfield” flotation by an American company on the Unlisted Securities Market of the London Stock Exchange. To ascertain how the entrepreneur can determine what financing options exist in today's investing climate, read on.
Scholarly communication in the U.S. has been closely examined in the past two decades by librarians because of the acceleration in costs of serial, scholarly communication…
Abstract
Scholarly communication in the U.S. has been closely examined in the past two decades by librarians because of the acceleration in costs of serial, scholarly communication. Specific disciplines of research have increased at unprecedented rates, namely the areas of scientific, technical, and medical (STM) publishing.
Angela Gracia B. Cruz and Margo Buchanan-Oliver
This paper aims to explore how marketplace-enabled performances help reconstitute masculinity in the context of transnational mobility.
Abstract
Purpose
This paper aims to explore how marketplace-enabled performances help reconstitute masculinity in the context of transnational mobility.
Design/methodology/approach
Grounded in consumer acculturation theory, this paper draws on theories of gender performance to inform a hermeneutic analysis of depth interviews with skilled migrant men.
Findings
To navigate experiences of emasculation, participants performed three remasculation strategies: status-based hypermasculinity, localised masculinity and flexible masculinity.
Research limitations/implications
This study offers insights for the design of migrant settlement policy. Further research should investigate the remasculation strategies of low resource migrant men.
Originality/value
This paper makes two contributions to theories of gendered acculturation. First, while studies of acculturation as a gendered performance have shown how marketplace resources support the gendered identity projects of female migrants and the children of migrants, this paper provides the missing perspective of skilled migrant men. Beyond acting as “resistant” cultural gatekeepers of their family members’ gendered acculturation practices, first-generation migrant men emerge as creative, agentic and skilled negotiators of countervailing gender regimes. Second, transnationally dispersed families, migrant communities and country of origin networks emerge not only as acculturating agents which transmit gender regimes but also as audiences which enable the staging of remasculating performances.
Details
Keywords
The term “everyday” can be found in almost every qualitative sociological study done today, though its usage, meaning, and importance are often taken for granted. The everyday…
Abstract
The term “everyday” can be found in almost every qualitative sociological study done today, though its usage, meaning, and importance are often taken for granted. The everyday world has not always had such a prominent place, however. This paper examines the development of “the everyday” an as area of study through everyday life sociologies and cultural studies, using quilting to compare sociological usage to the development of the everyday as a topic in the arts in the 1960s. As a focal point for discussions of art hierarchies, as cultural resistance, and as a form of women's cultural production, quilting's role in everyday life illuminates the new way of seeing that everyday life sociologies developed.